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Charlotte O'Sullivan & Nicolas Jelmoni - Circus Artists - Hand to Hand

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Published on June 5th, by admin. How did you guys meet? We met at the National Circus School in Montreal. What drew you both to the circus arts? We both have a gymnastics background but were both not that great at it. We always loved performing and being on stage which is what probably draw us to circus.

We always loved performing and being on stage which is what probably draw us to circus.

How did you become involve with Limbo? We met the director of the show a few years ago in London on recommendations of friends that had already worked with him and told him about us. Obviously there is a lot of trust that needs to happen between both of us during our act.

By theory one human hair can hold up to grams per strand so with all my hair combined and tied in a very specific way I could even possibly hold from kg — kg. Nicolas, you and Charlotte do an amazing acrobatic number where you hold her and spin her, how do you train for something like this? We went to circus school to learn most of our technical background. We try to train as often as possible also to keep our level and sometimes to create new routines and tricks.

Charlotte O'Sullivan and Nicolas Jelmoni are an upcoming duo that met and trained at the prestigious National Circus School in Montreal to create a unique and. Charlotte & Nicolas. 10K likes. Professional circus artists, National Circus School promo Pippin(7Fingers), Cirkopolis(Cirque Eloize), Grease(Juste. Welcome on our main page, we are a circus hand to hand duo that graduated from the prestigious National Circus School in Montreal.

We really tried to challenge ourselves by creating a new act in water. It was really hard and tricky performing on such a slippery surface but we thought it was worth the risk. Surprisingly they all had nothing but good things to say and next thing we know we were covered in golden confettis and sent straight to the finals!!

Performing together what is the most challenging aspect? Nicolas, you and Charlotte do an amazing acrobatic number where you hold her. Gate Street Barn wedding photography - Charlotte + Nicolas's autumn wedding in Surrey with Gate Street Barn wedding photographer Guy Collier Photography. Nicolas Jelmoni, acrobat Monagasque Nicolas Jelmoni started life as a Yes, but I went there with a girl from San Francisco and Charlotte was put together with.

We have obviously fell already a few times over the years but knock on wood nothing bad ever happened. We all have the same… mental state.

It was different in San Francisco where I felt I was the only one who was trying to push and to get a lot better. But in Montreal we all had the same goal of being amazing and making a career out of this. Is it a supportive environment or a competitive one?

Then we realised we were all so different, and also things happen and we ended up just being two duos when we graduated.

Did you meet Charlotte at Montreal? Yes, but I went there with a girl from San Francisco and Charlotte was put together with a guy from Spain in the first year so we were separate.

Both the partnerships split up for different reasons and we both ended up with no partner. So we tried working together and it was pretty fast.

Charlotte O’Sullivan & Nicolas Jelmoni Interview (Spiegeltent Limbo)

After a few days I knew it was going to work. What makes her such a good partner?

Followers, 12 Following, 60 Posts - See Instagram photos and videos from Charlotte & Nicolas (@charlotteandnicolas).

With my previous partner it was more like business and training; we got along but that was it. Of all your disciplines — hand-to-hand, Cyr wheel, Chinese pole and so on — which gives you the most enjoyment? Here in the show at The Casinotheater in Winterthur she has two songs that she sings with the band during the food service. She was on Pippin with us!

Charlotte and nicolas dating

Did you find it the same? It was pushing me and I got to do more and more stuff as time went on. If something happens we have to solve the problem ourselves. And the show keeps changing also. If you do eight shows a week and it was always the same it might get a bit boring, so we always had to be careful and you had to react to keep adapting to the situation. We were in New York for seven months, then were on tour for two months and honestly, it was the worst cities of the tour!

They had opened the tour four months before we got there so the first four months were all the great and big cities like San Francisco, LA, Vegas, and we had two months of middle America, like East Lancing, Rochester, Hartford, not that exciting cities, then as soon as we left, the tour went to Florida for almost two months!

But when we joined them for the second time, earlier this year, we went to Seattle, San Diego and to Tokyo for three weeks. It was great but three weeks was enough. It was enough time to eat ramen and not understand anything!

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But the audiences there loved the acrobatics; everything they did we loved it. But the audiences were loving it.

What were you doing in Grease? That was a little bit funny, because there are no acrobats in Grease [Laughs]. So when they offered us that we thought.

It was three months in Montreal during the summer. How did you enjoy that?

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